gear

THE DIGITAL SOAPBOX OF ANDY CLEAVENGER

16mm AF D FISHEYE

CONTACT::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

Email:  graycard18@gmail.com

become a fan:  my facebook page

This is Nikon’s full frame fisheye.

There’s not a whole lot more that can be said about it, really. Either you like the fisheye effect, or you don’t. Lots of pros look at fisheyes with disdain because they see it as trendy and somewhat of a crutch. I do agree that it is easy to fall in love with it at first, and as such, come to depend on it too heavily. But that doesn’t mean it should be completely trashed. I like my fisheye and always intend to keep one, but I’m not a heavy user of it when shooting for myself, because I find it just doesn’t fit my personal style very well. For me fisheye has two functions: 1) setting the scene 2) making things silly. These are really only needs that I have when working.

One unique trait that is worth mentioning about this lens is the color and contrast that it delivers. Nikon’s fisheyes (both the this one and the 10.5mm DX) are, without a doubt, the most contrasty lenses (in a good way) that I own.

Of the two fisheyes I probably like this one more. For whatever reason, it just seems to have a more impressive field of view and a stronger fisheye effect (that might be in my head though). But you have to shoot film (or a D3) to get it.